PERTH FESTIVAL 2023 | Tracker | 4.5 Stars

Review | Laura Money

Mesmerising and stunningly realised, ILBIJERRI Theatre Company in conjunction with Australian Dance Theatre weave history and spirit, ancestor’s stories and the lessons they teach in a beautiful dance and movement piece that feels at once ancient and contemporary. Tracker follows Wiradjuri director/choreographer Daniel Riley‘s quest to understand his Great-Great Uncle Alec Riley, a Wiradjuri elder who served as a tracker for the police in the early twentieth century. Riley’s impeccable choreography takes his character across generations of spirituality and imbues the work with a strong sense of understanding the land. With live music composed and performed by Gary Watling, Tracker is the live manifestation of building connection through dance and music.

Beginning on Country, the performers Tyrel Dulvarie, Rika Hamaguchi and Kaine Sultan-Babij sit on the edge of the stage, bearing silent witness to Ari Maza Long as he enters carrying official documents in a bid to get to know his ancestor. In monologues by Ursula Yovich and Amy Sole, Maza Long expresses his lack of connection to country and by extension, his great-great uncle. Through reading the documents and revealing the stories, Maza Long begins to interpret the land through the eyes of a tracker – the greatest. Gently guided by the other dancers in interpretations of the text and ghosts of the past, Tracker is a rollercoaster of a show with fast-paced, heart-hammering movement that calms into slower and more introspective and reverent dances. The movement not only reflects Wiradjuri culture but deeply connects the character of Daniel to his Country. They are the physical manifestation of a combination of ancestral knowledge, knowledge of country, and understanding of framing wisdom in a First Nations way, rather than through its colonisers.

Tracker is a truly remarkable exploration of brilliant skills and ancestral learning, of coming into knowledge – it is an initiation through powerful movement and dance. Each of the dancers move in perfect harmony, their strength is admirable and they flawlessly deliver a story through movement – writing the tale in the air with their bodies. The power of this show will stay with you as you carry the learnings back to your own country.

You can track this stunning performance at the State Theatre Centre WA until 4th March 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this PERTH FESTIVAL 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

PERTH FESTIVAL 2023 | Cyrano | 4.5 Stars

Review | Laura Money

It starts in a theatre!

Optimistic and uplifting, Black Swan State Theatre Company‘s Perth Festival 2023 offering, Cyrano is a play that reminds us why we tell stories. This version is more than an adaptation – it’s an homage to the enduring elements of the tale and a rejection of the bullshit tropes and ideals traditionalists hold onto when revering the classics. Virginia Gay‘s version of the famous story is adapted with nothing more than love in mind. Adapted – loosely – after Edmond Rostand, Gay turns the theatrical version of Cyrano into an introspective breakdown of theatre as a genre, bashing down the fourth wall with a sledgehammer, whilst keeping the audience absolutely riveted. It’s fast-paced, hilarious, and heartfelt theatre – a work that ensures the longevity of Cyrano by distilling its essence into a clever and sharp play.

Equally contemporary and timeless, Elizabeth Gadsby and Jo Briscoe nail the brief with their innovative set and costumes. Literally breaking down theatre, there is a stage set up complete with limelight and piano, but then it’s as if someone has torn the set in two – archways giving way to rubble and exposed brick and we are privy to ‘backstage’ with its boxes and costumes. Adding to this effect, Director Sarah Goodes keeps the actors onstage when they’re not in a scene – chilling with headphones or meditating ‘offstage’ in full view the entire time. It is only when climaxes occur and the show gets a bit too real and emotional that this fantasy world is broken and they leave the stage for real. Goodes’ direction compliments Gay’s script perfectly – everything is exposed from the beginning, there really are no secrets or big reveals. This creates a palpable tension as the deception dawns on Roxanne (Tuuli Narkle), stripping her of any agency she may have built up throughout the work.

Narkle and Gay have sublime chemistry – you ship them instantaneously. Gay’s performance as the lovesick Cyrano is so real, you see through the artifice, not just because you’re aware of it but because Gay is so sincere. When using Yan (Joel Jackson) as a prop it’s funny at first but soon descends to heartache as Roxanne chooses Yan but then speaks directly to Cyrano – claiming that Yan’s words could be said from any other person and she would love them for it. When put to the test, Roxanne is ultimately more hurt by the deception and lack of faith in her character than by honeyed words. The entire cast is phenomenal, and though Gay clearly stars, Cyrano is the epitome of an ensemble cast show. Zenya Carmellotti and Robin Goldsworthy are hilarious and heart-warming as 1 and 2 respectively. Oh yeah, they’re not named characters, just numbers but that makes their characters larger than life. When joined by the naiive 3 (Holly Austin) the intrepid trio connect over a shared love of theatre and help Gay create the story. Carmellotti’s singing voice is worth the ticket price alone, and the banter between all of them sparkles and fizzes with an eclectic energy.

Gay’s adaptation is a clever and interesting take on the classic. Why retell a story for the umpteenth time when you could devise something? Well, Gay manages to devise and revise all in one fell swoop. This Cyrano is a meta examination of theatre, storytelling, classic literature, love stories, queer stories and identities. It’s a philosophical rendering of human nature and our desire to be loved explored through the medium of theatre. By queering Cyrano, Gay turns the ‘ugliness’ of the original character – a physical attribute – and internalises ideas of othering and self-loathing. Mentioning but not having a physical prop nose (gold stars all around for that decision), keeps the ‘disfigurement’ in the back of the mind and is ultimately forgotten as the story progresses. Apart from some blisteringly funny puns (which do get awkward under Gay’s phenomenal defensive acting), I don’t believe the nose serves any purpose in this version. Cyrano fearing Roxanne will not return her love as a lesbian woman is ‘nose’ enough.

Cyrano borrows the bits it likes and unceremoniously dumps the rest – it makes for sharp and confident theatre. Removing any fighting and violence, the yucky bits like the creepy duke (it’s the twenty-first century, that part had to change) gives Gay more time to focus on Roxanne and Cyrano’s inner turmoil. Narkle begins her journey being referred to as a manic pixie dream girl – although Gay hilariously shoots this idea down – and delivers her lines with a dreamlike lilt, poetry slipping from her tongue in a way that entrances both Yan and Cyrano. Finally her character is given stage time and she uses it to deliver a fierce monologue that states in no uncertain terms that she is fully realised as a character. Gay shoots back ‘that’s because I wrote you that way’ and the look of betrayal on Narkle’s face is a stunning moment in theatre. Finally using her autonomy she leaves the stage for good in perhaps the most definitive way to win the argument. Gay has a complex and brooding nature as Cyrano. Always a figure tormented with feelings of inadequacy, Gay internalises the queer struggle of not being good enough and putting on an act, but also being fiercely proud of their identity and sexuality. It speaks to everyone’s fears of rejection and the ways we shut down rather than face embarrassment. It’s only after advice from 3 that Cyrano realises that everyone fears rejection and this spurs her on to creating a memorable and brilliantly cliché finale.

Beginning when Austin finds her voice and pulls everyone out of their narcissistic funk, the finale is like every great sitcom moment you’ve ever been touched by. Resident himbo Yan finds himself enchanted by the simplistic ways of Austin. Jackson is hilarious in this whole show – posturing and peacocking, his ability to mock himself is greatly undervalued. Cyrano’s open disdain for Yan is a new twist and I have to say, a refreshing one. Austin and Jackson prove that sometimes a leap of faith can be simple – once you remove the egos anyway. So, does Cyrano finally have a happy ending in Virginia Gay’s version? You’ll have to wait and see for yourself. Let’s just say that found family energy, enduring love that isn’t tainted by the notion that unrequited love, entitlement, and stalking are somehow literary gold, and a few kitsch special effects rip up the final pages of the original story and turn it into confetti for the celebration and triumph that is Cyrano.

You can catch all the love at the State Theatre Centre WA until 5th March 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this PERTH FESTIVAL 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

REVIEW | TAKEAWAY | Workplace dynamics take on a whole new meaning during adversity

Review | Laura Money

We’ve all been there – spending more time at work with your colleagues than your family. The strain that places on each relationship, including with your workmates. Liz Newell creates an insulated yet complicated break-room kitchen sink drama in TAKEAWAY, a darkly funny show centred around the employees of an Italian restaurant. The script has all the hallmarks of Newell’s writing – perhaps crammed a little too full with melodramatic plot points – and proves that it’s easy to have an inclusive work that doesn’t virtue signal, merely reflects current times respectfully. Presented in conjunction with Curtin’s Theatre Arts and the Hayman Theatre Company this show is the perfect vehicle to showcase an ensemble cast in which each performer gets their moment to shine.

Hayman Theatre Company performers are worth keeping an eye out for. They all perform their roles admirably – yes there is still quite a bit of student actor there but it seems to dissipate as they get into their roles more. Keely Johnston, for instance plays Tyler a waitress who has aspirations of performing so rehearses her dance routines while heating up her food. The routines and ‘rock eisteddfod’ facial expressions are all too real, sometimes bleeding into her real performance. Ultimately there are enough confrontational scenes for each of the performers to have their dramatic monologue moment – and each of them do it well. Lou (Kate Naunton-Morgan) spends the majority of the time frowning as her character is required to continually put out fires whilst not really able to cope. She has some touching moments with Clem and learns to bond with her colleagues in ways she wouldn’t have dreamed before the events of the play.

Tiandra Seal plays Clem who no Lo get works at the restaurant yet hangs out there all the time. She delivers some heartfelt lines and has a really punchy argument with her best friend Vas (Tom Cartwright) and while at times she borders on stereotypical moves like tearing up and yelling out a monologue she suppresses these inclinations and grows within the scene. Equally, Cartwright has some killer lines that he sometimes delivers a bit too fast but when he slows it down he becomes the king of deadpan. Cartwright isn’t afraid to look stupid either and his get-up when going to dispose of a dead rat is absolutely brilliant!

Next up are Annalisa Cicchini as Charity and Emilie Tiivel as Darcy. These two definitely have the strangest dynamic – obviously respectful of each other but also a little distant. Their relationship is like that if siblings Cicchini delivers some blistering lines and has great timing. Her panic attacks and Tiivel’s subsequent calming down could be bigger as I feel she is holding back a little. Tiivel is a quiet and affable Darcy. They are a character that’s usually in the background and everyone gets onside with their identity – because Tiivel plays Darcy with such charm, the audience are horrified at the prospect of them being in trouble.

Speaking of sweethearts it’s new girl Alma (Zoe Garciano) and resident party animal Danny (Tom Ford) who round out the cast as loveable fan faves. Garciano is so cute as Alma, taking it on the chin when nicknamed Elmo and happy to volunteer for anything. She doesn’t lose her cool when taken advantage of and has everyone cheering when she finally stands up for herself. Her impassioned monologue about their owner being a person with a family is a lovely moment in theatre. Danny is dealing with caring for a family member with cancer. Ford plays him as the most upbeat and fun-loving guy and his stark contrast when breaking down is done very well.

TAKEAWAY is a clever and darkly funny piece. This fresh look at the workplace dynamic is funny and heartfelt. The script is sharp and the actors have great camaraderie together creating a warm environment you wish you could join!

You can still check out the crew of TAKEAWAY at The Blue Room Theatre until 25th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to in 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

FRINGEWORLD 2023 | An Exhibit of the Uninhibited: Licentious | 4 Stars

Review | Amanda Lancaster

What is licentiousness? A complete disregard for the accepted conventions? Or merely a freeing of oneself from inhibitions? Licentious in name and in nature, prepare to explore the most very base natural animal instincts within. Revamped, red hot and ready to go, meet Ms Mya Tension and her band of burlesque badasses in An Exhibit of the Uninhibited: Licentious.

This is one show that will have you wanting to explore the adventurous side you may not even know you had. Licentious is a sexy sampler of stereotypes stripped away to their purest most intimate forms. This is one show that sets out to not only entertain but educate. Think stripping of clothes whilst simultaneously stripping of stigmas. It’s such a fabulous idea as a social experiment and learning aid and also one of the most fabulously themed and choreographed shows at FRINGEWORLD 2023. Licentious is not only a fantastic demonstration of home grown local talent and teachers in the burlesque field, but also an honest and open look at the types of people and play that goes on upon the stage and behind the scenes of Perth’s biggest kink and fetish scene.

This is one R rated show that does not disappoint, both wholesome and respectful as it walks right up to the line and dances on it and across it but never stepping over it. Consent after all is the number one key component to any kink or personal preference, including both artist and audiences night after night. See whips, crops, feather dusters, props. See puppies and pets, leather and lace and that’s just the start my friends. Have your eyes and minds thoroughly opened to a world of curiosity. So, enter the world of kink and the kinky and get a taste of one FRINGEWORLD 2023 flavour on offer that is anything but vanilla.

Oh, and don’t forget your safe word.

An Exhibition of the Uninhibited: Licentious has finished now, however you can follow Mya Tension on Instagram to see what she’s up to.

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to in 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

FRINGEWORLD 2023 | Your Silence Will Not Protect You | 4.5 Stars

Review | Laura Money

Third in The Anxiety Trilogy, Your Silence Will Not Protect You is Gavin Roach‘s blistering self-examination into anxiety and substance abuse told through the lens of a series of hilarious and intense anecdotes. Roach starts the show with a story about fisting. Yep, that’s right – your eyes didn’t deceive you – fisting. The thing is, Roach is such a friendly and hilarious personality, his delivery just gets you on side immediately. With a tone that suggests even he can’t believe himself, Roach will have you in stitches as he recalls the farcical moment. The story serves as a bit of a Trojan Horse as his next few stories are ultimately darker. Roach jumps to different moments in his life where he has felt anxiety and the ways in which he tried to cope. His writing is vivid – delivery raw. Roach deftly conjures up strong imagery using dark humour and powerful scene-setting – he is a master storyteller – each piece viscerally lands and you feel his pain bodily. Each vignette is a moment in time, darkened around the edges as if Roach doesn’t really wish to relive them but ultimately knows he must.

Jumping from story to story, Roach continues to revisit his fisting story which serves as an anchor for the piece. With the hectic nature of flicking through memories and experiences, by circling back the play to this grounding piece, Roach provides a much needed reprieve from so much confronting material. Roach has a unique style – super camp, over the top, with strange emphasis in his inflection he is so likeable you won’t want his stories to stop. He straddles the boundaries of comedy and tragedy with a well-practised oratory style that is completely his own. It’s captivating. Your Silence Will Not Protect You is a stunning solo piece that leaves Roach’s soul completely and utterly laid out before you. His manic style of jerking bodily from story to story, time and place reflects the anxious nature of his mind – a mind that cannot stop and will move from topic to topic to perhaps evade something serious. But it is a mind that produces wonderful stories.

You can catch all of Gavin’s energy at The Jonesway Theatre until 19th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

FRINGEWORLD 2023 | Run by Stephen Laughton | 4 Stars

Review | Laura Money

And then all I can see is YOU

So speaks Yonni, a young British and Jewish man, whenever things get overwhelming. Ben Stuart gives a solo performance as seventeen year old Yonni, telling his story in a non-linear narrative that sometimes flickers and fades as our protagonist fails to process the events of his life. The humour and banter written into Yonni’s character bely his status as unreliable narrator and more and more facts creep in as the story progresses. Run by Stephen Laughton is a sharply written piece that uses the actor against himself – imbibing the script with small clues that are overshadowed by Yonni’s affable nature and banter. It’s a piece that could have benefitted by a British accent as it’s so deeply rooted in a particular culture of Jewish Britain, although Stuart’s pronunciation is impeccable.

Gavin Roach‘s direction is impressive – he has Stuart navigate different temporal zones and headspaces through particular movements on stage. Utilising a soccer ball as a stand in for his great love, and using different levels such as crouching, sitting, and angles Roach creates a dynamic environment that almost mimics Yonni’s headspace. While the rhythm of speech and inflection could be more nuanced, Stuart is a master at using his body to truly demarcate each scene. Stuart moves his body in the rhythm of each scene – shy smile creeping over his face as he hugs himself in simulation of a lover’s embrace, desperation as he pushes against nothing when attempting to help a beached whale and running, running, running. He does these amazing slow motion movements, thrusting his hands to the sky with an openness and willingness to soar – it’s mesmerising in the muted, Venus-like light and seeing Stuart’s face lit up with the elation of self-induced freedom is an unforgettable moment in theatre.

You can run to see the show at The Jonesway Theatre until 19th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

FRINGEWORLD 2023 | Japanese Worry by Takashi Wakasugi | 4.5 Stars

Review | Laura Money

Oh my goodness – if you haven’t seen Japanese comedian Takashi Wakasugi yet, then what are you waiting for? Stop reading this review and book your tickets! Ok, have you done that? Great – you’re in for a treat. Wakasugi is so funny! He has an offbeat style of humour that is deeply rooted in Japanese culture – hence the name Japanese Worry. Wakasugi assures us that Japanese worry is markedly different to any other kind of worry. It’s a deep overthinking of trivial things like being judged for buying caged eggs when all the free range ones have sold out. Or whether the tree that was turned into toilet paper perhaps had other paper aspirations, like the beautiful paper on a passport. Wakasugi’s approach to life is hilarious, he also happily makes fun of himself for constantly apologising to things like the plumbing on the third floor of his apartment complex and the Homebrand products that he uses to disguise his caged eggs in the shopping trolley.

Wakasugi has a casual yet restrained manic air to his delivery style. Part laconic, and part frenzied he immediately puts you at ease with his bizzare observations. I have never thought of vaping as a redundant option B to smoking before but there you go. His hilarious grappling with the English language points out how absolutely ridiculous it is – and the musings about elephant trunks and pizza sandwiches is an absolute riot. Japanese Worry is a gentle ribbing, an observational show with a twist and an affable, funny comedian. Wakasugi is not crude but his comedy is powerful and will have you a bit worried about weird things afterwards but that’s his charm.

You can find more things to worry about at The Laugh Resort, SHOE Bar until 19th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

FRINGEWORLD 2023 | Werk It | 4 Stars

Review | Laura Money

You better work! And believe me, the crew from Circus Trick Tease absolutely do just that. They work you into a frenzy, they work at all their tricks but ultimately they Werk It as a brilliantly coordinated ensemble. Brainchild of Malia Walsh the whole thing leans in to different work culture and Aussie boganism. Bursting out onstage the five amazing acrobats have enough energy to power Perth for the whole festival! They start strong with a ‘werk out’ full 80s aerobics gear and high ponytails bouncing along with every impressive trick.

Strongwoman Cassia Jameison is impressively funny when juggling an office desk on her feet – the ‘at werk’ sketch is cheeky and there’s something oddly sexy about Jamieson bouncing the desk on her feet while in office attire. Next is the ‘men at werk’ section where hi vis and construction work rule. Walsh is the bogan Jesus, annointing the audience with Vegemite and scaling heights to reach a keg of beer. The whole aero routine is hilarious and jaw-dropping. Lisa Lottie brings her iconic hula hoop routine to the big top, perky and peppy in aerobics gear. Her skills are so strong you’ll lose count of how many hoops she’s swirling at any given time. Finally, Vincent van Berkel shows off his amazing juggling skills and stuns with a phenomenally hilarious trapeze act. Circus Trick Tease are a fun and talented circus crew who provide a bit of everything. They know how to entertain! Werk It is strongest when they work together and the sensationally swinging finale will keep you on the edge of your seat.

You can check out the Werk It crew at The Pleasure Garden until 19th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

FRINGEWORLD 2023 | A Southern Fairytale | 5 Stars

Review | Laura Money

Expertly performed by Ty Autry, A Southern Fairytale tells the story of Alex – a young gay man and his youth growing up in the South, USA. We all know the stereotypes, but Autry rips off the lid of conservative Christian life and how going against the grain is more than taboo. Framing the story around the idea of a fairytale, Alex introspectively writes his narrative, hoping he will finally get a happy ending. Autry is phenomenal as Alex – he never falters and pierces the audience with an intense look, as if he is really seeing you. Declaring his romanticism of the fairytale genre, he adopts a wistful tone when trying to weave his childhood and stories of princesses and dragons together. This motif is revisited in a clever punctuation of a fairly harrowing story. There are melodramatic reactions to coming out, so much so that Alex went in and out of the closet about three times, moving schools, excommunication, and desperate clinging to devilry as Alex and his family navigate his identity. Parts of this are hard to watch – Autry elicits empathy in every glance, ruefully smiling while gently welling up as he relives the pain – horrible memories viscerally returning as he opens up his heart.

A Southern Fairytale makes you say ‘I thought I knew.’ Each revelation of horrendously toxic and baffling behaviour that is exposed cuts you deeper and deeper. Autry is endearing, laughing at himself while sarcastically declaring it was a ‘shocker’ that he was gay with a hilarious head waggle and limp wrist. Whether it’s the years of closeted behaviour or brilliant acting, it really isn’t until he puts on these affectations – a bit of a caricature – that Autry presents as being gay. He speaks in a restrained and resigned fashion, only letting loose when forced to relive the anger he felt at the frankly fucked up therapy sessions, excommunication and interventions, and disowning from his father. In perhaps the most poignant scene, Alex has an epiphany of his own – finally turning his back on the people who no longer serve him, he comes confidently into his own identity, proudly bearing his scars but not being defined by them. And he lived happily ever after to tell his story.

You can search for Prince Charming at The Jonesway Theatre until 19th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

FRINGEWORLD 2023 | Jeromaia Detto: MUSH | 4 Stars

Review | Laura Money

If you thought you were getting a boring and straight night of stand-up comedy in MUSH then you are at the wrong show, my friends! Jeromaia Detto is an absolutely hilarious sketch comedy expert – and MUSH features a series of solo sketches in which Detto throws himself full pelt. It’s a raucous hour of completely bonkers comedy that will have you laughing long after you’ve left the venue. Detto is a total clown – messing about with his unique sense of humour and getting the audience involved from forming a mime big band to running a biplane’s engine with the power of our humming I’m pretty sure there will not be anyone he doesn’t interact with. Each of the sketches are a combination of surreal and hilarious – he plays a temperamental fashion photographer, a man who gives his heart away in the form of beach balls, and keeps the audience on their toes.

Detto is naturally funny – in every gesture and movement there’s a cheeky twinkle in his eye. The sketches are bizarre and fun, totally clean and really out there. When Detto asks to put on a play he wrote, things take a turn and the comedy is turned up to 100! The play is hilarious, incorporating earlier sketches and his mouthing along the words like the worst of your drama teachers who just devised a little something is classic comedy. Detto will have you in absolute stitches, even if you are scratching your head wondering what you just witnessed. I’ll tell you what it was – the inner workings of a whacky funny man!

You can turn your brain to mush at the Liberty Theatre until 19th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

FRINGEWORLD 2023 | WHALE | 4 Stars

Review | Laura Money

WHALE is a brilliant start for Crash Theatre Co a relatively new theatre company in Perth. The show is the culmination of over 10 years of collaboration to tell Courtney’s story as a fat woman and the ways in which her body is perceived, despite actually being pretty healthy in her body acceptance. Part memoir, part stand-up, and part theatre the show uses a unique form of storytelling to convey Courtney’s defiance in being an unapologetic fat body present in society. Her delivery style is fresh and funny – awkwardly miming a visit to the doctor, being a ‘pick me’ girl in high school, and trying on clothes from the back rack for bigger girls. Courtney is bold and very self assured, however she is able to fold into herself when reliving cringy moments from her past. Each microaggression and comment dished out takes its toll and Courtney literally grows in front of us as she learns to reject this way of thinking.

There are shots fired at diet culture and ad men who negatively influence women to equate thin with beautiful. Courtney launches a scathing attack on the negative attitudes handed to her making her fight against them even more impressive. I have never nodded along to a show so much! Courtney doesn’t hold back when she critiques the ways in which her body has been criticised and how she reacted. She grows up and into her own identity but recognises the obstacles in her youth that affected her formative years. Embracing body positivity and calling people out when they compare her to Rebel Wilson and not Lady Gaga speaks to Courtney’s attitude and how when you figure out who you really are – in this case a beautiful fat queer woman – you can tear down any system that makes you feel otherwise.

You can check out all the self-love at the Perth Cultural Centre until 19th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

FRINGEWORLD 2023 | LENNOX: Legend in my Living Room | 4.5 Stars

Review | Mike Sterry

As we enter the tent, anticipating a night of Annie Lennox’s best, we are greeted by her very attentive maid, Chris Burgess. Burgess fusses over the stage and chats with the audience as we all wait for the appearance of our legendary host. When it becomes clear Ms Lennox is delayed beyond actually attending, Burgess steps forward to take her place and shows that as a maid, they are an incredible singer. All the hits are here, and they are delivered with a powerful voice who uses paired backed instrumentation to accentuate the lyrics and meaning in each song. Burgess gives their own interpretation to the music by taking them and giving them the emotional weight they deserve. Using just synths and guitar as backing gives full light to Burgess amazing voice which, in turn, showcases Lennox’s catalogue with verve and aplomb. ‘Here comes the rain again’ is a highlight, sung almost prone on a large pool ring, (it makes sense in the show’s narrative). Burgess almost becomes lost in the lyric, and they bring us into their introspection showing us part of their soul.

Written during lockdown in Victoria, Burgess has used Lennox and her songs as a way to explore themselves. Who they are and who they want to be in the world becomes clear over the course of the show, culminating in a poem they have written which reveals Burgess’ truest form. The small but enthusiastic crowd were enraptured from start to finish and gave Burgess and their bandmates a well deserved standing ovation at shows end.

You can catch the living room concert at The Pleasure Garden until 19th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

FRINGEWORLD 2023 | Amy Hetherington: Juggle | 4.5 Stars

Review | Amanda Lancaster

Prepare to be hit right in the funny bone and the baby maker. Amy Hetherington is back Perth, bringing with her not only her baby but a brand-new show. Juggle, Hetherington’s latest offering sees her swapping teething problems for toddler energy in a hilarious one-hour outpouring of self-rediscovery and bringing sexy back.

That’s right Hetherington tells the audience, this show is the result of a year long journey of failed experiments to try and reclaim and find her sexiness again after having a baby. Our star decided that if she couldn’t find a way to get her sexy back then at least she would have enough raw comedic materials from her attempts to write a brand-new stand-up show, and so she did. Never one to shirk from a challenge, mainly just to prove people wrong, Hetherington regales the audience members with tales of what it’s been like to try and have it all and the constant Juggle of motherhood versus…well bloody everything.

So how does one locate their sexiness when lost? Where do you even go to for advice? Facebook of course, where Hetherington found the hints and tips slightly more on the hilarious side than the helpful. From Cricket to Crystals, pampering sessions to pacifiers ingested by her dog and even some saucy nipple tassels thrown into the mix this is one sixty-minute journey you definitely will not expect.

Listen and laugh along as Hetherington shares all the dirty diaper details of her own experiences and life like its an open letter or diary entry. Viewers can’t help but be swept along by the contagious charismatic energy that is this performer from the very get go right through to the end. This is one lady with an exciting and charming demeanour and energy that she makes her very own. Truly, you won’t find a more likeable and relatable performer. Watching Hetherington work the crowd seems less like a comedic manipulation for laughs and more like seeing an old friend who is genuinely excited to see and catch up with you. Amy Hetherington is an absolute delight to watch.

So, what do you do when the universe throws everything it can at you all at once and you realise you need to stop juggling and put finding your lost self-first? Scream “FUCK” at the top of your lungs of course, that or have a good look behind the sofa.

Amy has finished juggling here in Perth but you can catch her in ADELAIDE FRINGE from 17th – 25th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

FRINGEWORLD 2023 | Carousel – Presented By Champagne Showgirls | 5 Stars

Review | Amanda Lancaster

Something wicked this way comes indeed…Welcome the Carousel, a place where the viewers are invited to not only get on, but also to get off. Allow yourself to be led into temptation with Champagne Showgirls‘ latest lascivious body of work, and believe you me, there are plenty of bodies to be tempted by.

Watch as the carousel unwinds a seductive set of story book tales and imagery all played out live and in the flesh before your very eyes. The underlying thematic thread for the night is one of deep, dark desire and fantasy bought to life. Each new tale or act complete with a charismatic character and performer sees our handsome antagonist, the collector of the captivating Nix determined to capture them all for his very own and place them upon the magical Carousel. Enter our emcee and storyteller for the night the hostess with the most, the one and only, the inimitable Miss Cece Desist. Nobody grabs an audience by the balls quite like Cece Desist, wonderfully wicked of wit and tongue and a voice that will bring you to your knees, she weaves the whole night together with humour and grace.

Nix is a roguishly handsome character, hypnotic and powerful who mesmerises each of the shows cast one by one to take them away. A fire twirling can’t tear your eyes away puppet master pulling all the strings, including the audiences, will have you wondering where the last 90 minutes went. Seven outstanding performers make up the cast of phenomenal talent showcased throughout the evening and there is without a doubt something for everyone in this mesmerising show. Silks, Lyra, acrobatics, dance, strip tease, song, circus humour and burlesque and even a carousel horse are used, yes that’s right, you’ve never seen a carousel horse ridden quite like this.

Hungry for a little more than just edge of your seat theatrical and physical feats? Then keep an eye out for the shows cutest popcorn girl ever proving there is always room for more popcorn and the Candyman who most certainly can ladies. Champagne Showgirls is the Crème de la Crème when it comes to mixing the class, glamour and spectacle of traditional cabaret and burlesque with the tease and titillation of the modern-day showgirl and boy. Nobody does sex and sparkle quite like this group and Carousel is no exception.

A show of the highest calibre and a ride you’ll happily take again and again and again.

The carnival is over here in Perth but the Carousel starts spinning again in ADELAIDE FRINGE from 17th – 26th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

FRINGEWORLD 2023 | Queer Piano Bar | 5 Stars

Review | Laura Money

Queer Piano Bar is your late night refuge for fabulousness! It’s an evening steeped heavily in musical theatre and queer icons, performed by queer icons of Perth. Strutting his stuff on the piano and keeping the whole night flowing is Mr. Gavin Nicklette – the Queen of the keys. Absolutely slaying with his signature jazz arrangements of well known classics, Nicklette is a calm and slightly cheeky presence onstage. His rendition of ‘Over the Rainbow’ is perfection, from the tinkling raindrops at the beginning to a fade of wistfulness at the end, Judy would be so damn proud. Kicking things off with a tribute to two of the campest movie musicals of all time, Singin’ In The Rain and My Fair Lady, Aria Scarlett hides in the background and sings for Autumn Daze in a hilarious mashup. Daze has perfected the vacuous showgirl look – down to the facial expressions. She will make you laugh with her hilarious facial twitches, and Scarlett not only has a powerhouse voice but brilliant comic timing.

Just when you thought things couldn’t get any camper enter Jolie Davis in a haze of black tulle. She absolutely nails it in a stunning rendition of ‘I’m Going Home’ from The Rocky Horror Show. It’s an elegant and emotional performance, perfectly restrained and understated but rendered sensational by the campness of it all. Jolie leans into the queerness of slow musical theatre diva moments and builds on it. Likewise, drag extraordinaire Donna Kebab, embraces the epic nature of the musical theatre ballad and busts out ‘Origin of Love’ from Hedwig and the Angry Inch. It speaks to her identity, her talent, and her hope for love in a way that is like recreating iconic queer moments in musical theatre.

Aria Scarlett gets her solo moment with her beautiful operatic voice ditching the microphone to soar well above the heads of the crowd. She is a great performer, talented and confident but always with warmth for the audience. The brilliant Autumn Daze also returns in a hilarious and raunchy strip singing performance – this time a mash up of Nine and Gypsy which funnily enough is pretty seamless. Her rubbery face and signature dance moves are a delightful mid century camp aesthetic and her cheeky nature shines through in a blend of funny and sexy. Capping things off with a song I adored as a kid – ‘At the Beginning’ from the cartoon Anastasia, one of the finest non-Disney animated movies to grace our screens – all of the crew return for this group song and even though it’s a finale and they’re all just laughing and singing, those harmonies are on point. Queer Piano Bar gets all the snaps and a standing ovation from me. There is so much love and camaraderie on that stage and so much fun to be had leaning in to the most iconic queer moments in musical theatre. It’s a celebration of all things queer and this beautiful found family welcome you with open arms and maybe a karaoke microphone to join in!

You can catch all the queers on keys at Liberty Theatre until 18th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

PERTH FESTIVAL 2023 | Strange Case of Dr. Jekyll and Mr. Hyde | 4 Stars

Review | Laura Money

Adapted and directed by Sydney Theatre Company’s Artistic Director Kip Williams, Strange Case of Dr Jekyll And Mr Hyde returns the classic story to its original narrated style, eschewing traditional ways of adapting the novella that focus mostly on the doctor’s experiments from his perspective. Williams stays true to Stevenson’s gothic and eerie tale and tells the story with Matthew Backer serving as narrator as Mr. Utterson, and Ewen Leslie playing everyone else – including Jekyll and Hyde. Using a combination of live filming and pre-recorded material, the actors are onstage but also filmed and projected onto a series of floating screens which serve to sharpen the story. This is a clever and innovative way to get into the ins and outs of such a complex work. An amazing team of videographers and stage hands take on the marathon task of keeping the whole thing flowing and they do it with aplomb. The filming elements are flawless – they get the right angles, closing in on faces to elicit terror and eluding details of Hyde’s appearance which equally elicits terror – sometimes it’s what’s hiding in the dark which is scarier, rather than what you can see in the light.

Backer is perfect as the uptight and fearful Mr. Utterson. He speaks in nineteenth century Victorian upper class clipped tones, which convey the urgency with which he speaks. Playing Utterson with a melodramatic air adds to the tension built in every sentence. Small breaks occur whenever Backer turns to the camera and staring straight down the barrel breaks the fourth wall to utter commentary such as ‘he said, terrified’ or ‘he spoke casually’. This is Williams at his finest – using the narrative style of the novella to his advantage, he is able to break the tension by these clever asides, storytelling devices in plain sight. Leslie is a transformative performer – able to move seamlessly from character to character – a move expected of most actors required to play both Jekyll and Hyde but Leslie takes it a step further and tackles every other character as well. Wearing many masks – well wigs – Leslie imbues each character with distinct accents, inflection, even walking styles. He is a truly dynamic actor and this play showcases his talents perfectly.

There are a few elements that are not cannon to the original tale and I find them incongruous to the work. Williams spends so much time setting the play up to be a faithful adaptation and creating a monster-like creature who will stop at nothing to cause people harm. By implying that it is just a side of Jekyll that is repressed, like homosexuality or hedonistic tendencies it lessons the impact of the horror felt by Jekyll when he realises that Hyde’s actions such as murder and violence are justifiable on the same level as pleasure seeking. I feel the mark was missed on this one, as it serves to push historical attitudes about the dangers of homosexuality and violence – perhaps setting things back a bit. Despite one section that diverts from the original, Strange Case of Dr Jekyll And Mr Hyde is a faithful yet dynamic adaptation. Creating full Victorian landscapes through intricate set pieces, designed by Marg Horwell – moving street lamps, facades of houses and wallpapered corners of rooms become full sets and locations when picked up on film. We see the behind the scenes of both the play and the filming process – providing a fascinating duality much like the theme of the show itself.

The transitions to pre-filmed pieces are flawless and the screen mediated view of a classic story told in a new format speaks to the transformative nature of narrative. Strange Case of Dr Jekyll And Mr Hyde is a uniquely brilliant way of telling a classic story through a postmodern lens.

You can witness all the drama at His Majesty’s Theatre until 19th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this PERTH FESTIVAL 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

FRINGEWORLD 2023 | Dean Misdale – Life’s A Drag! | 4.5 Stars

Review | Laura Money

It’s time to celebrate good times with Dean Misdale in their show Life’s A Drag! This is all about Misdale’s drag journey and career highlights. They reminisce about beloved family members, the early days as a baby dj in drag, and realising their identity all in a flurry of sparkly costumes and fabulous songs. The show is more sober and reflective but more powerful than its previous iterations. Misdale shows strength and maturity as they essentially sing their way through a memoir all about drag. Every song choice is perfect, even the one song that they laid down in a studio about 20 years ago – it’s such an ’00s bop, I would have totally danced the hell out of that back in the day! Misdale is a great performer – we know this, and they know it too – with little humility they always knew they would be a star. There’s gentle ribbing as they admit to gaining fame by being dragged onstage at an Adele concert – footage included. I love Misdale’s cheeky grin and how they bite their lower lip as if to indicate scandal – especially saying some cheeky things like how they lost weight first!

Reflecting upon and holding up their beloved grandmother is a special moment, and the constant refrain that their Dad is their number one fan shows a side of Misdale I haven’t seen before – the one where they realise they stand on the shoulders of giants. Their beautiful tribute to the one and only Tea Girl is stunning and with just the right amount of heart to make you tear up. There are jibes about their own start in drag which is a fascinating insight into the scene and also how fame has changed them – or not it would seem. Misdale was always destined for greatness but something they have come to realise is that nothing is greater than recognising your true identity and embracing it. Their stripped back rendition of ‘Not a Girl’ by Britney is simply perfect and they will get you on your feet in their signature version of ‘Celebration’ – which I think we should all petition for Misdale to record. Watch this space, because Dean Misdale is proving why they are Perth’s number one!

You can celebrate along with Dean at the Perth Cultural Centre until 19th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

FRINGEWORLD 2023 | Million Dollar Maybe | 4.5 Stars

Review | Laura Money

Robyn Perkins is back in Perth after a plague-induced hiatus with her new show, Million Dollar Maybe exploring whether bisexuals actually exist. Ok, she’s not really but after realising her bisexuality and being the scientist that she is, Perkins decided to research it! In doing so, she uncovered a study by actual scientists looking into whether men react to sexual stimuli from both men and women – in short: does bisexuality in humans exist? Perkins is absolutely hilarious, both mocking and reverent for the science behind the study she talks you through the sciency bits and peppers the show with her own bisexual journey.

Perkins is such an affable comedian – she sets up her personality with ease, she loves science, her parents are almost cookie cutter Americans, she is a sort of age (demonstrated by her mention of encyclopaedias – we see you, Robyn!) and she is bisexual. Laughing at herself and her naivety as a burgeoning bi, Perkins embraces her awkwardness and spreadsheet energy. You’ll lose it laughing at her first email flirt to a woman – yes email! – and how an ADHD mind processes science. Perkins breaks down the study but also dismisses its necessity in a blistering commentary on scientists, non-bisexuals, parents of a certain generation, and also her own growth. Million Dollar Maybe is a super funny show by a comedian not afraid to make fun of herself and lean into her geeky side – let’s be honest it makes for a hilarious show!

You can catch all the action at the Perth Cultural Centre until 19th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

FRINGEWORLD 2023 | The Australian O-Pun | 4 Stars

Review | Amanda Lancaster | Puns | Simon Haynes

That’s right folks, you read that correctly, not the Australian open but The Australian O – Pun. Think less ball play and more word play as you are treated to a night of pun-based improv by some cunning linguists.

Louisa Fitzhardinge served up a tennis themed competition that made quite a racket, and thankfully it wasn’t a complete balls up. Insert groaning laughter here, and that was just the start of the quality and calibre of the evening’s best and worst to jokes to come…or should we say pun. With a line-up of six witty and whip smart comedians ready to knock it out of the court and volley against each other for the biggest laughs, the audience couldn’t lose.

A tennis inspired, game show infused hit for sure for viewers who like a good bad joke or two, and even those who don’t won’t be able to help but feel they have scored. Although all six comedians were competing for a spot in the finals on Saturday it never got backhanded. It should be said that while some of the jokes could get quite foul, it didn’t go too far out of bounds.

It can be incredibly difficult to think fast on the spot so you can’t fault the comedians for trying to keep it right upon the line between giggle and groan worthy. One of a FRINGEWORLD 2023 set of shows at the Laugh Resort for the great Australian pun off event, prepare to be treated to a few nights of battling jokes before the final players are announced. Thursday night at the semi-final the arena heated up for a barrage of puns, but ultimately the advantage went to the winner Stephen Platt.

On Saturday 11th February he will be joined by Libby Klysz and Daniel Buckle and the three finalist from Friday’s show for a battle royale, but ultimately is all for the love of the game.

You can catch the Grand Final on Saturday 11th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

PERTH FESTIVAL 2023 | Manifesto | 5 Stars

Review | Brandon Shier

Nine drummers and nine dancers take to the stage in stunning fashion in Stephanie Lake Company’s electrifying production, Manifesto. With each drummer and their drum kit on tiered platforms along the back of the stage, the rest of the floor is for the dancers, who all move, leap, writhe, convulse, and spin to a constantly thrilling and frenetic rhythm.

Each performer – drummer and dancer alike- stands out on their own, yet they’re so entirely connected; a delirious hive mind displaying striking scenes and tableaus of joy, violence, and chaos with such effortless grace. They move like martial artists, gutsy and powerful, and totally attuned to the otherworldly rhythms and sounds that you would never imagine coming from a drum kit. It is just as thrilling when a single dancer breaks off from the rest to dance on their own, it leaves you with bated breath and wide eyes watching what feels almost like demonic possession.

As for the drummers, each gets their time to shine and do so flawlessly, but it’s especially powerful hearing them all together, as they shapeshift from staccato bursts to tribal pounding to eerie ambience to militant rhythms with barely a rest in between. It’s easy to get lost in this world; the story told through the dancing may be ambiguous, but it feels made to get lost in. Once you give in to the rhythm, you’ll find your attention and your imagination completely captivated.

You can see Manifesto at the State Theatre Centre WA until 12th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this PERTH FESTIVAL 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

SUMMER NIGHTS 2023 | Conception | 4 Stars

Review | Laura Money

In a world where even conception is controlled by the state, three people come together in an unexpected rebellion. Written and performed by Lainey O’Sullivan, Conception is a deep dive into autonomy, relationships, control, and the separation of sex and intimacy, with climate change subtly underpinning the whole piece. Opening with a stunning sequence where O’Sullivan and Shaun Johnston simulate a shower that gets very hot and steamy, the two then discuss baby names as they then go about their day. There are a few hints that all is not what it seems, from the water being shut off because it’s rationed to the fact that Anna drinks wine while seemingly pregnant. All becomes clear when Ruth (Asha Cornelia Cluer) arrives – she is the surrogate (well things are slightly more complicated than that) and appears to have suffered a miscarriage. What follows is a gritty descent into pushing moralistic boundaries, sexual autonomy, and relationships.

Dynamically directed by Samuel Bruce, movement and stage directions breathe life into the script – breaking up the tension of heavy dialogue with witty and clever sequences. The intensity of movement creates physical divides, as each character literally stands with who they back up. Anna sharply moves between Ruth and Chris, convincing them to pair up and conceive naturally. The act of intercourse cleverly mirrors the beginning when Anna and Chris were intimate, and as O’Sullivan puts on a stoic visage while preparing vegetables for a quiche, Cluer and Johnston initially awkward in their movements stick to the door frame. Vegetables are grated and eggs beaten as the intensity increases – Cluer and Johnston no longer confined to the shadows of a threshold but taking up the main space passion clearly increasing. Although initially her idea, O’Sullivan as Anna appears stricken when probing into Ruth’s experience with her husband. Feelings become heightened and the show twists and turns, churning up every emotional response.

Conception is a clever piece of theatre that puts characters in incredibly intense situations. It questions how far we would go to get what we want and even whether sexual intimacy and sexual intercourse can be separated. There are no real answers, the play is an examination of these dynamics with great imagery and just the right amount of dramatic tension. All three performers are utterly believable, creating a few moments where you might forget to breathe.

You can catch all the action at the The Blue Room Theatre until 11th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to in 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

SUMMER NIGHTS 2023 | 600 Seconds – AFTER HOURS | 4 Stars

Review | Laura Money

600 Seconds – AFTER HOURS is the final installment of Summer Nights program where each act has ten minutes each to perform an original work. The AFTER HOURS pieces all focus on things that come alive as the sun sets. There’s body horror, schlock, transformative and uncanny works, as well as hilarious political satire.

Imaginary Sounds devised and performed by David Mitchell and Portia McDonald is spoken word set to a blistering soundscape of pulsing beats and sounds just as convoluted as your brain. McDonald lays out a frenzied and anxious beat as Mitchell speaks in a loop his anxiety overtaking his entire physique. The two move in an almost zen like way to overcome their overwhelming fears. Mitchell repeats the opening words but this time he has achieved catharsis.

Nagini – The Serpent Legend by Danisa Snake is a striking piece of movement that speaks to primal feelings and colonising or taming the exotic other. The Nagini moves with impressive serpentine grace, writhing and slithering in an impressive display of liquid movement. This piece is aesthetically impressive as well as stunning in its wider message. Danisa Snake will have you convinced that they cannot be contained.

Uncanny (V)ally by Matt Aitken is so funny as it revisits 90s and early 2000s phenomena through the healing teachings of a guru. Combining contemporary meditation practices with the pop culture of millennials it’s a clever examination of the appropriation of both by generation Z. It’s ridiculously silly, I lost it when the Spice Girls ‘Too Much’ is revealed to be the soundtrack of the guru. Along with Windows 95 imagery, Lynx deodorant, and the ‘Ooga chucka’ Ally McBeal dancing baby this is the real 90s – it can only come from someone who has experienced it, not someone who streams Friends on Netflix and has a Central Perk T-shirt from Typo.

Step On All Men is Hot Blonde Slut at their finest. Beginning as a B-movie parody complete with creepy uncanny mask, the show descends into pornographic farce – reimagining the apocalypse movie as sexual fantasy. The Hot Blonde Slut is disar

You can catch all the late night action at The Blue Room until 11th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to in 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

SUMMER NIGHTS 2023 | Bright & Bold: Memoirs of a Desk Goblin | 4 Stars

Review | Laura Money

Dureshawar Khan is a Desk Goblin. What is that, you ask? Allow her to tell you in Bright & Bold: Memoirs of a Desk Goblin. The show is a snapshot of Khan’s time working as a receptionist in a tattoo parlour – back when this baby was just finding her feet, still called Ray because that name was more palatable to Aussie tongues, and in the most vulnerable time – the cusp between teenager and young adult. Bright & Bold is more than a memoir – it is about finding your identity, navigating the world as an adult, and ultimately being comfortable in your own – tattooed – skin. Brilliantly interweaving a history of feminine tattooed bodies and focussing on some home-grown heroes who blazed a trail for Australian women tattoo artists with her own tattooing journey, Khan is a brilliant storyteller. Her lilt switches between informative and imaginative, lighting up when recalling the feelings generated upon various encounters with tattooing and tattoo paraphernalia.

This memoir is from a time in Khan’s life where she was a little lost, still studying and getting rejected for every job under the sun, and a chance encounter in a tattoo parlour led to a true feeling of belonging. Khan delights in describing her antics as a Desk Goblin – alright I’ll tell you what it is – someone who does all the miscellaneous tasks on top of admin at a tattoo parlour. Khan recalls joyfully tearing bits of paper towel in preparation, ordering ink, soothing people – oh and putting up with people’s high-maintenance demands! The wistful nostalgia breathed into this memoir piece and the reverence placed upon the tattooing world is palpable. Khan found who she was in these places and with these markings carving their way straight to her soul. Deeply rooted in memories of heritage, each tattoo but especially the ceremonial markings on her chin represent a different part of Khan. Her defiance in the face of conservatism and conformity are writ large on her beautifully drawn canvas of a body. This is a coming of age story that leaves more space to be drawn on – but doesn’t ‘ragrat’ the ink already spilled.

You can find out what it’s like being a Desk Goblin at The Blue Room Theatre until 11th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to in 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

FRINGEWORLD 2023 | Elton John: Your Song | 4.5 Stars

Review | Laura Money

I’m still standing better than I ever did. Looking like a true survivor, feeling like a little kid. I’m still standing

If you automatically sang out ‘yeah, yeah, yeah!’ then you need to hightail it down Elton John: Your Song at the Liberty Theatre. Your Song is such a clever title, as Matthew Hadgraft takes Elton’s famous songs and gives them back to the audience – he even encourages you to sing along. Hadgraft embodies Elton, resplendent in a white sparkly suit, flares and giant top hat full of glitter and glam. He screams Elton as he removes his gauze and feathered cape – yes cape! – and struts his stuff in giant white heeled boots. Hadgraft not only looks the part but has the talent to back it up. Bursting onto the stage in a flurry of energy, his hands fly across the keyboard busting out ‘Crocodile Rock’ and making you realise just how fast that song actually is. Hadgraft is a brilliant pianist, he nails every single note of Elton’s repertoire and we all know what an amazing songwriter Elton is.

Your Song is so much more than just Hadgraft playing Elton’s songs – it’s a full-blown glamourous tribute to the man himself. There is so much passion for Elton’s music and entire personality here – Hadgraft embodies the spirit of Elton, hilariously exaggerating his inflection and pronounciation ‘lay me down in sheets of LAYYYNEEN’ in ‘Tiny Dancer’ anyone? Hadgraft is great fun, he’s just the kind of guy you want to hang out with all night, and when he gets talking about Elton the passion lights up his eyes. Hadgraft peppers his songs with information and a biography of Elton, epmhasising how he was an absolute trailblazer for many to come, including a young gay boy dancing in front of his mirror to ‘I’m Still Standing’. There’s even a lyric book so you can sing along and I have to say, definitely give it a read – there are so many hilarious asides, from the questionable not-very-me-too lyrics in ‘Saturday Night’s (Alright)’ to a stunning tribute to Marilyn Monroe and Princess Diana.

Elton John: Your Song is a super fun night out that will have you hoppin’ and boppin’ where your feet just can’t keep still! Hadgraft is a phenomenal performer – his energy is through the roof and his obvious affection for Elton shines through with every song. He’s also hilarious, full of funny asides and quips, dancing about and getting the crowd involved – you can tell he’s having a ball. Hadgraft has an amazing voice and can hit every high note – Elton has quite a few of those – but he also infuses Elton’s music with a history and passion derived from years of worship, adding a richness that is frankly quite emotional. There are powerfully melancholy moments – ‘Goodbye Yellow Brick Road’ takes on a new, or rather uncovered, meaning as Elton’s struggle with drugs is explained, and ‘Candle in the Wind’ is sung so beautifully that even the audience stops singing along and looks on Hadgraft in awe. This is an absolue blast from beginning to end – Matthew Hadgraft is brilliant – go and sing along to Elton’s songs all night long – you’ll want to go back over and over again!

You can bop to the Crocodile Rock at Liberty Fringe until 12th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

FRINGEWORLD 2023 | Dolly Parton: Backwoods Barbie | 5 Stars

Review | Laura Money

Before we even get into the review, let’s talk about how perfect the title is for this show! Dolly Parton: Backwoods Barbie is performed by Perth Drag Royalty BarbieQ – as a major Dolly fan and lookalike, the title just writes itself. Taking all of her favourite Dolly songs and creating a greatest hits album that should be laid down, BarbieQ embodies Dolly in a way that no other drag act takes on an icon. It is clear that BarbieQ’s deep love and affection for Dolly goes beyond just wearing her larger-than-life costumes – it’s Dolly’s heart that is encapsulated in a BarbieQ show. She puts so much emotion into her lip syncing – choosing not just the big dance numbers that usually lend themselves to drag but more introspective and heartfelt songs that have just as much of the diva about them as any. Watching ‘Coat of Many Colours’ is a stunning moment that I defy anyone not to cry in and of course, ‘I Will Always Love You’ is so tender especially in the spoken part.

This year the costumes are more extravagant, the boobs and wigs are bigger than ever and the dances are hotter! One of the ways BarbieQ emulates her hero is that just like the real Dolly, she uplifts those around her. BarbieQ has a reputation for being the kindest mother around and she uses her solo show to allow others to shine. The backup boys are cute as hell! They have some of the fiercest moves around, and when they bust out their tap dancing in tuxedos – you better grab a mop and bucket for the audience! BarbieQ is having a blast and she has the dance moves too – line-dancing with the best of them. I love her choices of songs – from the classic ‘Silver threads and golden needles’ to the rootin’ tootin’ ‘Applejack’ BarbieQ nails every single one.

You can catch all of Dolly’s top hits at Connections Nightclub until 11th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

FRINGEWORLD 2023 | BIPOCity – Unity Through Diversity | 4 Stars

Review | Laura Money

BIPOCity – Unity Through Diversity features amazing black, Indigenous, and people of colour artists onstage as the main event. That’s right, no longer the token or a box ticked, these performers are the cream of the crop bringing BIPOC voices and bodies onto the stage in a show that questions notions of othering and marginalisation and stamps them down in defiance. The show is the brainchild of proud Chinese-Australian burlesque performer Jojo Firestar – a fierce and fantastic woman who brought all of the acts together and uplifts them all into the spotlight where they firmly belong. Hosted by JJ Wolfgang an Asian European man who has a penchant for bondage and burlesque, the show highlights acts that feature a strong sense of identity. As Wolfgang and Firestar note in their gorgeous song – ‘we don’t see colour’ is not as helpful as it seems – we want colour and identity to be front and centre and they nail the brief.

Wolfgang peppers the show with statistics and facts about BIPOC people in Australia. This can get a little dry, but only because he keeps pointing it out – believe me, we’re here to learn so just state those facts with pride. Malaika Moon, a simply stunning African woman with a gorgeously infectious smile, chooses to eschew her traditional burlesque act and sing. The song is beautiful and it’s a connection to her heritage, family, and past. Moon has the voice of an angel, and the inflection of the African language has a lullaby quality. Burlesque dancer Maven gives a stunning tribute to their Asian identity – resplendent in a figure-hugging dress with the silhouette of a glamorous traditional costume, they end with a visceral and aesthetically arresting bang!

Miss Samia brings the funny with a blistering stand-up routine all about her Bangladeshi family and how hard it is to keep her sarcasm down as a teacher. She literally takes the piss out of the stupid shit her students say but her strength lies in examining cultural and racial differences. On the surface some of the jokes are controversial but breaking it down, you’ll see that Samia is a brilliantly transgressive voice attacking taboos and doing it with a wicked smile. Jojo Firestar herself tells an intimate story of her childhood days and facing microaggressions and bullying for being different. It’s a beautiful and touching story of resilience and how she developed the fire in her heart and stoked that fire to ultimately create this wonderful show.

Finishing with Joey bringing a bold Oriental style striptease in gorgeous Chinese red. Celebrating fortune and her roots, Joey strips her identity down to the skin, hiding coyly behind the mysticism of the Orient she unveils it on her terms – showing her beautiful skin in all its glory. BIPOCity – Unity Through Diversity is a stunning celebration of people of colour. It doesn’t shy away from putting these absolute legends front and centre in a pure celebration of diversity.

You can catch all of the diverse action at Connections Nightclub until 11th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

Five With Fringe | Gillian English | 2 Weddings & a Baby | FRINGEWORLD 2023

Gillian English is a hilarious comedian mostly known for her take on literature and Ancient history. This year she’s doing a memoir piece for FRINGEWORLD 2023. We caught up with her ahead of the show to see what we’re in for!

What is your show about?

This show is about my two weddings (to the same man) and my new baby. The weddings were on the opposite of the planet, and the baby tried to arrive 15 weeks early. Nothing about any of it was straightforward or easy, but at least it was also fully ridiculous.

Favourite part of the show, no spoilers!

My favourite part of the show is a deep dive into bridal shapewear. A living nightmare to achieve that dream bridal aesthetic.

What do you think people will get out of your show?

I think everyone who had a tumultuous start to their married life, or parenthood will be able to walk away from the show saying “Shit, well at least I’m not Gillian English!” It’ll be a great time to commiserate about the ups and downs of growing the whole way up, because you can’t be the baby if you have a baby!

Apart from your show, what other shows would you recommend?

Definitely check out Amy Hetherington’s show “Juggle”. She’s also a new mum, and talking about that work/life balance!

Describe your show in 3 words:

Life changing events!

You can catch all the life changing events at the SHOE Bar until 11th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

FRINGEWORLD 2023 | Britingo! | 5 Stars

Review | Laura Money

Did I boost Britingo! up to 5 stars because I finally won something this year? The jury is out on that but I have to say the show is deserving of every single one of those stars because it’s the show I return to excitedly each year. Britingo! is exactly what it sounds like – a madcap hour of *not* bingo, wink wink, late night in a tent and we wouldn’t have it any other way. Hosted by the fabulous duo Andrew Silverwood and Amy The Dimpled Darling it’s bingo but not as you know it! This British duo keep it casual in matching tracksuits, call out some numbers, have a little sing-a-long, and bish bash bosh you’ve played Britingo! These two are hilarious together – they lay down the rules and holy hell is it funny when people forget them! The numbered cues are read out by Andrew and he has some pretty inventive rhymes – this ain’t your gran’s 2 fat ducks, oh no – it’s number 1 up your bum, 46 two fat dicks – they’re not all clever but they’re all funny.

Amy and Andrew don’t just ponce about and call out the numbers – they inject a lot of humour to the proceedings. The prizes are all treats from the UK – think tea bags and Irn Bru – and you’ll keep on dancing all night with the musical cues. Think Paul Mcartney ‘When I’m 64’ and 17 ‘Dancing Queen’. Of ourse it’s number 2 you really want because that triggers the Spice Girls Megamix – from ‘2 Become 1’ (spicy) to wannabe this track goes on for ages and it’s mandatory to dance and sing along. Of course, both Amy and Andrew aren’t afraid to take the mickey out of themselves – I’m looking at you, Queen costume. Seriously, Andrew as Freddy Mercury is a sight to behold but it is Amy’s part of the costume that will have you in fits of giggles.

Britingo! is an a’iite night, so go down to your local chippy, pick up a 99 icecream, and finish the night with beans on toast, Bex and a lie down because this is the most British fun you’ll have without a 40 hour flight.

You can catch all the balls at the Pleasure Garden until 18th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

FRINGEWORLD 2023 | Shad & Pete Save The World! | 4 Stars

Review | Laura Money

Shad Wicka and Peter James are on a mission to solve everyone’s problems. In Shad & Pete Save The World they tackle people’s real life woes and attempt to fix them. The show is essentially audience members writing down their problems anonymously, popping them all in a bucket, and Shad and Pete pull out each problem and try to solve it. In doing so, they hope to save the world. Ok, maybe not save the world but at least solve your problems. Ok, maybe not all your problems but at least provide you with a few laughs. It’s an unpredictable riotous evening of jokes and improvisation, and maybe if you’re lucky, some resolution.

Shad and Pete have brilliant chemistry – the majority of their jokes and humour is aimed at each other – loving to take the piss out of themselves and each other. It’s all friendly and hilarious banter. They also feature guest comedians to join them onstage and help out. The problems are as sticky or personal as the audience puts in so it can be as innocuous as ‘how do I stop my cat from waking me up early’ to ‘how do I tell my vanilla boyfriend I’m into bdsm?’ What makes this concept work is that Shad and Pete bounce off of each other and have a laugh at each situation. They don’t shame and don’t delve into topics that could be potentially harmful. The cocky ‘solved it’ smirks that they don is hilarious especially when the advice is actually pretty flimsy. Head down to the Laugh Resort and let two silly buggers in boiler suits solve all your problems, no matter how spicy.

You can watch all the world’s problems get solved at the SHOE Bar until 11th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

FRINGEWORLD 2023 | A Night at the WOO-sicals 3: Summer Lovin’ Tour | 4.5 Stars

Review | Laura Money

Can we all please take a moment to *bow down* to Drag Royalty? Jonny Woo you are an absolute star! In case you missed it, A Night at the Musicals 3: Summer Lovin’ Tour is UK drag queens Jonny Woo and Le Gateau Chocolat‘s hilarious romp through the musicals – a total piss-take that sees each queen get their moment but features a lot of duo sketches and songs. They take musicals and gently massacre them – Gateau sings with his deep rich voice and Woo flounces about and performs the best lip syncing ever. You can read all about that here. This year, though there’s a scandal with a capital S. Poor Gateau is out with strained vocal cords so Jonny Woo has taken it upon himself to do the whole show solo. Just like Judy Garland he’ll go his way by himself and just like Judy – he nails it!

Woo is, giant-Mickey-Mouse-gloved hands down the best drag act to grace Perth’s stage. He kicks things off with a bang when the sound tech plays the wrong song, giggling about how things are already off to a great start. Woo had about 24 hours to put this show together without losing the integrity of the original but adding in his own sketches and songs. Gorgeous in a black sequinned number, he’s not afraid to get the audience involved and point out where Gateau would have made his entrance. He hilariously adopts the deepest tone possible from deep within his underthings and channels Gateau whenever necessary. What stands out for me is his flawless showmanship – from audience banter to getting us all involved and singing along, Woo refuses to take himself seriously.

There are iconic Johnny Woo moments, like the ‘Big Spender’ song, equal parts sexy and terrifying – of course Woo quips that he could pick anyone in Perth for that song as we all have a lot of money. Maybe they should up their ticket prices? Woo shines in the avant garde and weird – pushing the envelope as far as it can go. There’s the classic lip sync to Cabaret’s ‘Mein Heir’ complete with unsuspecting audience member, and he even adopts some of Gateau’s lineup including that iconic Olivia moment – you know, where he’s ‘Hopelessly Devoted?’ His costumes deserve all the snaps and that 70s jumpsuit is s.t.u.n.n.i.n.g! Woo nails his Hair medley with a sassy flick of his gorgeous wig and a wink that he’s actually having a blast.

Flying by the seat of his budgie-smugglers, Jonny Woo tackles the show himself and soars spectacularly. It’s his sense of humour for me – Jonny Woo is constantly teasing the crowd, making fun of the unpolished bits of the show and leans in to the kitsch and bizarre nature of what a Gateau-less show looks like. Of course, the man himself makes a few (silent) appearances and Woo’s clear affection for his ailing friend is beautiful to watch. The banter that is usually present leaps out of Woo the second Gateau gets onstage – he teases him mercilessly pretending to sing his low bits. The best thing about Jonny Woo is that he is a seasoned performer with bucket loads of talent – he knows how far to push an audience like starting the ‘Time Warp’ and then stopping abruptly, and lays himself bare in the finale. Everything about this guy is cheeky and even though you thought Gateau was the singer, Woo hits every note and does it with style.

Go and see A Night at the WOOsicals and then get your ticket for the full show but I can guarantee it won’t be as madcap or hotter than a curling iron as this unexpected gem of a show.

You can catch Jonny Woo going solo until 8th February 2023 and the original show with Le Gateau Chocolat until 12th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

SUMMER NIGHTS 2023 | Yee Howdy | 4 Stars

Review | Laura Money

Clara Cupcakes is The Cowgirl in her hilarious solo show, Yee Howdy. No, not a cowgirl but The Cowgirl. The show sees the intrepid Clara as The Cowgirl, leave her many-horse town and go in search of Joe to fulfil a prophecy laid down in time – you see, The Cowgirl seeks the last cow on earth. This show is absolutely bonkers! It’s a madcap hour of hilarity, highjinx, and hootenany and you will not stop laughing the whole time. Playing The Cowgirl and multiple characters along the way, Clara Cupcakes is a masterful solo performer. She interacts with the audience in a way that is friendly and non-intimidating as you follow along her journey to find the last cow.

Parodying wild, wild West tropes but not the people, Clara doesn’t take herself too seriously. She’s a natural comedian, clowning about while walking with a jaunty lilt, telling campfire stories punctuated by vulture cries, playing a showgirl who exposes a lot more than just her story – Clara embodies each character and gives them depth and nuance, rather than using them as just a plot device. There is a bit of audience interaction but I won’t give any of that away – suffice it to say, Clara makes you feel very welcome and is so professional that the bits are funny whether you give a lot or not. Yee Howdy is silly. It’s beyond funny, and I love that the plot isn’t predictable – and the ending has to be seen to be believed. The Cowgirl will have you rooting (tootin’) for her all the way.

You can catch the ballad of The Cowgirl at The Blue Room Theatre until 11th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to in 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

FRINGEWORLD 2023 | #thenewme | 3 Stars

Review | Laura Money

#thenewme sees writer and performer Mariah O’Dea embark on a journey of self discovery. Through fitspo and healthy kale salads to yoga and pyramid schemes, O’Dea tries it all. The show is part sketch comedy, part theatre piece, and part stand-up comedy and pushes O’Dea to extremes of hilarity and physicality. O’Dea is a great performer – her comedy chops are strong as she jogs across the stage, wincing in pain yet turning it into a smile for her ‘followers’ the audience. Her turn getting the perfect selfie and stuffing her face with kale while shrilly taking her voice higher and higher is convincing – it sounds like an influencer going off the rails. Each thing O’Dea does to try and find a new identity is a shrewd observation of people in that field, yet it seems to punch down just a little. It’s easy to make fun of seemingly vapid influencers, in fact it’s a trope that garners more ridicule that any throughout the decades – think Legally Blonde or Mean Girls.

The show has a lot of potential – on the one hand a lack of exposition works in its favour, as you must keep up with what trend she’s getting on next but it also causes confusion. A stronger through-line is needed to explain that O’Dea is trying all of these things out. I would also ditch the idea of impressing an ex. Unless you want your character to find catharsis in the end and realise she doesn’t need him, he serves no real purpose. O’Dea is a great physical performer – her acting skills and genuinely funny antics are what get this show over the line. Getting all the name brands wrong is hilarious, as are all the moments O’Dea is clearly out of her depth or struggling to find redeeming features in her new lifestyle. Check out this show if you want to see a hilarious solo performer, just don’t bring any kale, I think she’s a bit over it.

You can see the transformative journey at The Jonesway Theatre until 11th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

FRINGEWORLD 2023 | Clara Cupcakes’ Good Time Corral | 4 Stars

Review | Laura Money

Are you looking for a hootenany of a time? Need to get your campfire fix? Want to go to a big ol’ square dance with fun folks? Well then you need to hightail it out to the Parlour at the Perth Cultural Centre and check out Clara Cupcakes’ Good Time Corral. This is a variety night that features the most rootin’ tootin’ acts of FRINGEWORLD 2023 all hosted by the friendliest cowgirl in the business – Clara Cupcakes. Clara gets each of her guests to perform a little sketch or show off their act and it’s fabulous. There are burlesque dances in cowboy attire – think tassels – and songs with a smoky saloon vibe, comedy that hits you in your funny bone, and dancing to bangin’ tracks.

What makes this variety night stand out is the fact that the guests really try to stay on theme – they create costumes or sets that just fit into the wild wild West. It’s all about leaning in, and Clara does more than just introduce the acts. There are hilarious games like the Burger Ring Toss which is surprisingly difficult and not surprisingly messy af. There’s charades and even a fashion parade. Clara is hilarious, every high-pitched giggle elicits laughter and her constant refrain of ‘in this economy?’ absolutely slaps. Clara Cupcakes’ Good Time Corral is a wonderful way to ‘cowboy hat’ your evening off so go and have a mighty fine time with this funny little lady.

You can join the square dance at the Perth Cultural Centre until 11th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

FRINGEWORLD 2023 | Tash York’s Happy Hour | 4.5 Stars

Review | Laura Money

After the longest lockdown, Tash York is finally back in Perth and she is ready to party! Tash York’s Happy Hour is literally all about getting happy. All the things that could have been depressing during lockdown have been turned on their head and Tash is here to sing about it! A fabulous ‘afab’ drag queen, assigned female at birth, this is one little lady with big hair and big pipes and she shouts it from the rooftops. Backed by the amazingly talented and funny Red Red Wines, Tash sings her heart out. With stunning piano and violin by the amazing duo, Tash bursts onto the stage in a haze of glitter and fabulousness. Firstly, can I just say that Tash has an amazing voice – she busts out Celine Dion and hits every goddamn note. In a hilarious rendition of ‘It’s All Coming Back To Me’ it’s safe to say she never lost it amongst her endless days of quaffing red wine and eating chicken nuggets.

Tash’s vocal prowess is strong – she is not only a talented singer but ramps up each song with theatrics that would make any community theatre kid blush. She dusts off the negativity by improvising a song with audience woes that she deftly rhymes in a brilliant flash of spoken word and song. Tash is simply put, a total professional. Every song is hilarious and her comedy lies in more than just changing the lyrics to well known songs – it’s the facial expressions, the audience call outs, and little things like ‘come on, I’ve got some big notes to hit here’ and then nailing it. I cannot overstate how talented Tash York is. In Happy Hour you’ll be grinning from ear to ear as every single song and sketch take you to places of pure bliss. The humour is on point – especially in games like wheel of goon, and songs about being on one’s own and finding oneself, if you catch my drift. Tash and the Red Red Wines enjoy catty banter that is just as stunning as they are – this is a trio that slay together.

Tash York’s Happy Hour is a sophisticated yet slapdash hour of brilliant drag, stunning vocals and musicianship, and hilarious antics. It’s the kind of show that will have you snapping along and screaming in delight as every bit is better than the last – and the last was fabulous!

You can catch the Happy Hour at the Pleasure Garden until 8th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

FRINGEWORLD 2023 | Otto & Astrid Play The Greatest Rock ‘n’ Roll Concert You’ve Ever Seen | 5 Stars

Review | Laura Money

Otto & Astrid Play The Greatest Rock ‘n’ Roll Concert You’ve Ever Seen. Review done. Kidding, although in all fairness I really could leave it there! Otto and Astrid are a hilarious punk rock sibling duo from Berlin who get everything right. Yes, there is comedy – in fact that’s the cornerstone of this act – but they are absolutely legendary musicians. Every original song is equal parts hilarious and musically brilliant. Their banter is on point and their every move an exaggeration of avant garde punk aesthetic. Astrid cracks you up from the get-go with her failure to ascend her drum platform in a dignified fashion. Otto takes himself a little more seriously – if you could consider any of this parody serious! – with hilarious serious face hand gestures and getting frustrated when Astrid throws in what she claims to be dinosaur sex into their opening song.

The music is great – every lyric is mind-meltingly funny – from robot lions to drinking songs that get everyone involved, Otto and Astrid are genuinely brilliant songwriters. Their dance moves are funny, and their attitudes are funny but it is all the asides and banter that make this the show of the season. They take sibling rivalry to extremes in every interaction. Otto & Astrid Play The Greatest Rock ‘n’ Roll Concert You’ve Ever Seen is not really a flex if it’s true, right?

You can catch all the sibling rivalry and rock n roll at the State Theatre Centre WA until 5th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

FRINGEWORLD 2023 | PreHysterical | 4.5 Stars

Review | Laura Money

Join three prehistoric travellers as they navigate the extremely ancient world and their place in it. PreHysterical features three amazing acrobats as they take on all the challenges faced in the stone age, like trying to find food, crossing rivers with no boats or technology, and running away from dangerous predators. In the beginning there was man – well two cavemen to be precise. They mess about, hitting themselves dimwittedly with their own clubs and performing acrobatics together. Along comes a girl and she is smart and also a very good acrobat – the three form a group and decide to search for fruit which is across a big river.

The river sequence is equal parts hilarious and jaw-dropping – they swing across on a trapeze performing amazing tricks on the way. There is incredible hula hooping with the bones of a woolly mammoth or tiger – hoops blurring so fast she seems encaged in them herself. These guys aren’t afraid to laugh at themselves either – in a dream sequence featuring coconut bras and sheer strength there is a moment of respite from the fear. As the team develop a friendship, their tricks get more complicated and involve each other more. Literally flinging one another through the air, prehistory becomes a metaphor for the camaraderie and teamwork required in circus.

You can catch all of the PreHysterical antics at The Pleasure Garden until 12th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

FRINGEWORLD 2023 | Anita Wigl’it – “Funny Gurl!”| 4.5 Stars

Review | Laura Money

Who doesn’t love a drag show? Especially one with an absolute QUEEN! Anita Wigl’it – “Funny Gurl” is the ultimate in drag. She comes out in a full Cinderella dress and absolutely slays! From the second that this legend sashays onto the stage, working the air con like she was in Eurovision, Anita takes command. This show is stunning – she shows off her amazing outfits and lewks, dances like the dancing queen herself (maybe not convincing anyone she’s 17 but you know) and nails audience interaction. Anita has the moves – every hip thrust and sexy little wiggle deserve all the snaps.

There is more to Anita’s show than just fabulous wigs and makeup hidden behind stunning sequined numbers – Anita tells her story from little gay kid doing cosplay to supportive parents and a typically English upbringing. Anita is the first to throw some serious shade at her baby drag days – the makeup and costumes were pretty horrendous let’s be honest but no-one starts out perfect. She talks about and creates gorgeous routines around Drag Race and the gold sequinned leotard SCREAMS revenge outfit! Of course, Anita opens up in ways that you don’t expect, and her bravery is heartbreaking. Emphasising her point with a stunningly beautiful trumpet solo, Anita is the well-rounded queen we never knew we needed.

Ultimately it is Anita’s effervescent energy and genuine friendliness that turn this show from a drag act in a little tent into Cinderella slaying at the ball. Anita is a fabulous performer and this is a show I could watch again and again.

You can catch this Funny Gurl at the Perth Cultural Centre until 5th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

FRINGEWORLD 2023 | Laser Kiwi – Rise of the Olive | 4.5 Stars

Review | Laura Money

Hilarious New Zealand trio Laser Kiwi are back in Perth with new show Rise of the Olive and we are more than here for it. This is a sketch comedy, circus experience like no other – in fact it’s so niche it’s hard to categorise! Brothers Degge and Zane Jarvie combine with the hilarious Imogen Stone to create an off-kilter, unique experience that is part comedy, part circus and magic show, and part weird experimental theatre. Whatever is going on up on the stage, it’s all high quality entertainment. As suggested in the title, this show is all about celebrating the olive – opening with a hilarious sketch about Chinese whispers in an olive jar it just continues to get more and more bizarre. Olives are skewered, tossed into glasses – although there is an absolutely hilarious moment where Degge and Zane just take the piss out of each other while trying to complete a trick. The refrain of ‘Mmm olive.’ ‘Got to get a fresh one every time’ will live rent-free in my brain.

Despite being given a run sheet and 3D glasses at the top of the show there are moments you won’t have a bloody clue what’s going on. Laser Kiwi do awkward sketch comedy perfectly. They combine beautiful circus moments with silly sounds, have an ant singing on stage with them, banter with the best of them, and even provide some 3D moments. What makes this trio stand out is their absolute chemistry. They don’t take themselves too seriously and banter back and forth like the best of friends. They’re not afraid to lean in to the stupidity and absolutely smash it in a hilariously surreal finale that will have even the most staunch olive hater worshipping the fruit.

You can catch the amazingly awkward Laser Kiwi at The Rechabite until 5th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

Five With Fringe | Aria Scarlett | Queer Piano Bar | FRINGEWORLD 2023

Aria Scarlett is the producer and one of the performers of Queer Piano Bar, playing at FRINGEWORLD 2023. We caught up for a chat ahead of the show to see what it’s all about.

What is your show about?

Queer Piano Bar (QPB) is here to deliver a dazzling late night offering of genre bending classics by handpicked favourites of the fest!  This show is a celebration of the glorious vocal talent that Perth has become known for.

Favourite part of the show, no spoilers!

2022 MX Burlesque finalist Autumn Daze will be delivering her iconic sing and strip to two musical theatre classics reimagined into one stunning routine – but that’s all I’ll say for now!

What do you think people will get out of your show?

I hope people will get a moment of pure queer joy. QPB is an hour where you can suspend all your troubles and indulge in a delightful musical display.

Apart from your show, what other shows would you recommend?

BIPOCITY is a must on our list as well as Cabaret Roulette by our very own Gavin Nicklette!

Describe your show in 3 words:

Queer Music Celebration

You can catch all the queers on keys at Liberty Theatre until 18th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

FRINGEWORLD 2023 | Hypnotist Matt Hale: Top Fun! 80’s Spectacular | 5 Stars

Review | Laura Money

Fringeworld mainstay and all around good guy, Matt Hale is back to thrill you with his signature blend of hypnotism and comedy. Top Fun! 80’s Spectacular is all about – you guessed it – the eighties era from the instantly recognisable tunes to the movies and, of course – the fashion! Hale takes the piss out of himself more than any of his volunteers, starting the show recreating that scene from ‘Risky Business’ – if you know, you know! Not afraid to show his underwear to complete strangers, Hale is an affable and funny guy. His tshirt ‘Matt Says Relax’ is genius considering that it manages to reference an eighties trend but also alludes to his skills as a hypnotist. Bursting onto the scene in an aerobic induced energy, Hale is here to have Top Fun!

Now, it’s exceptionally difficult to review hypnotism because I don’t really understand how it works, plus the results are kind of different each time but suffice it to say, you’re in very good hands with Hale. He explains that you’re going into a different state of consciousness – deeper into your natural meditative state if you will. Hale is so supportive and kind in this process – he never sets anyone up to be made fun of, just for us all to have a laugh. Leaning in to the trends of the eighties, he has one volunteer start marching every time they hear ‘500 Miles’ and another cheerleading to ‘Hey Mickey!’ It’s super fun stuff, and the references to the eighties will transport you back to the time of big hair, big moves, and big dreams – which incidentally is exactly what it will feel like for the volunteers afterwards!

You can catch all the Top Fun at various locations around Perth until 18th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

FRINGEWORLD 2023 | Adults Only Magic Show | 5 Stars

Review | Laura Money

Adults Only Magic Show is an hour-long romp through the best magic tricks heightened with a late-night energy only achieved through drinking and the promise of nudity! Sam and Justin along with host Magnus get up close and personal and we wouldn’t want it any other way. This is a high-octane rollercoaster of a show where the stakes are high and the tricks are impeccable. Think big, brash comedy meets genuinely skilled magicians and there you have it. Sam and Justin are the perfect pairing – their banter is friendly and cheeky, and their tricks benefit from it. In the first five minutes they will blow your mind – using sleight of hand or rather torso, they swap shirts under their jackets right before your very eyes! If you don’t believe in magic – this brilliant duo will change your mind.

From mesmerism to card tricks, they can do it all. There’s the old smashing the phone in a brown paper bag trick – the poor audience volunteer only looks stricken for a little bit – and tricks that make you question the notion of free will. Sam takes a nostalgic trip as he recalls how they met and became the awesome duo they are today and performs the BEST card trick I have ever seen – if I were Penn & Teller, consider me fooled. The escapism will leave your jaw on the floor – I know it’s right in front of me but I cannot figure out how they do it. Sam and Justin race the clock to prevent themselves from being exposed, although let’s be honest Justin doesn’t need any excuse! The finale is not only a brilliant display of magic at its finest, but also cheeky and silly as hell. Sam and Justin prove that magic is not just for kids – in fact when you ramp it up and get stupid it’s only suitable for adults.

You can see all of the tricks and more at the Pleasure Garden until 11th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

FRINGEWORLD 2023 | Amos Gill: The Pursuit of Happy (ish) | 3.5 Stars

Review | Laura Money

With a title like The Pursuit of Happy (ish) you would expect to see Amos Gill take you through different ways he sought happiness. However Gill takes a more subtle approach to his overall theme. Looking at aspects of his life from moving in with girlfriends to his mother marrying a rich bloke, this Australian-born USA based comedian takes the parts of his own life and looks for the happy within those situations. Gill is a bit crude, it doesn’t take him long to take a few swings at the audience – some which are a little unkind – and he’s a little rough around the edges. This is in direct contrast to some of his attitudes – especially on love and family. There is deep affection for his grandparents whose love showed no bounds. Gill lets loose some pearls of wisdom when recalling how his grandfather cared for his grandmother and they are truly lovely.

A lot of Gill’s schtick is observational humour about Aussie identity. After living in the USA, his strongest bits are the differences between our two nations. Gill hilariously parodies the way Americans praise you if you go sober and the way that Aussies completely take the piss and wonder if you’re alright. The jokes land because they poke fun of Aussie life more – especially notions of masculinity and tall poppy syndrome. Where he falls flat is in expressing certain attitudes but not providing an argument or even a joke to back himself up. It’s all well and good to be proudly sexist, but explain why, and then argue the point – don’t just make the claim and drop the mic.

Amos Gill: The Pursuit of Happy (ish) is a fun hour of solid observational comedy. Gill is a good comedian, if a little brash. There are some great moments and even a few that reveal his tender side.

You can catch Gill’s take on life at Perth Mess Hall and The Brass Monkey Hotel until 15th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

FRINGEWORLD 2023 | KABOOM! | 4.5 Stars

Review | Laura Money

Magnus Danger Magnus is here to delight audiences with his whacky science experiments. Think explosions, fire, loud bangs and an extremely enthusiastic host and you’ve got KABOOM! The show is all about trying things out and testing theories. Magnus bursts onto the stage in full science gear – labcoat, gloves and goggles – which he occasionally uses. On stage are a variety of vials and different coloured liquids. In a series of chemistry experiments, Magnus tests the reactions of the chemicals and his audience. There are literal explosions as some of the reactions provide heat, he catches himself on fire at least once per show, and of course a lot of smoke!

KABOOM! is all about the experience. Magnus is a passionate and excitable host who will have you all cheering on *science!* with his signature catchphrases ‘try it out’ and ‘science fist.’ The kids get involved too, calling out what they think the outcome of the experiment will be, delighting in the results when they end in fire. There’s even a bit of audience participation as Magnus enlists the help of an intrepid audience member to perform the big finale. This show is a sell-out every year for good reason. Magnus will have you screaming for science long after you leave the venue.

You can catch all the science at the Pleasure Garden until 12th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

FRINGEWORLD 2023 | Twerk Noir: Through the Ages | 3.5 Stars

Review | Laura Money

Twerk Noir: Through the Ages reimagines famous songs from bygone eras and adds the ultimate dance move: the twerk. Putting the booty back into the history books, this show celebrates all things bootylicious and bangin’. Twerk Noir Productions are a dance company like no other – offering twerking classes this company maximise body positivity and uplift every member of their club. It’s a celebration of bodies in all shapes and sizes, the joy that can come from letting go, and the camaraderie that comes from a group of people holding each other the fuck up!

Each dance is great – starting with a slamming duo set to 1920s music, the pair take synchronised twerking to a whole new level. Actually, I’ve never seen synchronised twerking until now so raise it to a high level! There are group twerks (yes that’s a thing) to Disco beats, they get physical in the 80s and finally end up at the Hot Gurrrl Summer – on the floor to ‘WAP’ – which is really the only way to truly embrace that song. The individual dancers are skilled and know how to put together a routine but Twerk Noir comes alive in the group dances. In a company built on holding others up to the light, these sexy and funny routines are great because they show a bunch of confident ladies dancing with their friends. Keep holding each other up high, because you are soaring!

You can catch all of the twerk action at Connections Nightclub until 11th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

FRINGEWORLD 2023 | GODZ | 4 Stars

Review | Laura Money

GODZ follows Greek Gods at a party on Mount Olympus. With lots of awesome acrobatics and stupid comedy skits, Headfirst Acrobats are here to impress. There’s a cheeky bit of nudity (although you don’t really see much!), some amazing acrobatics, a bit of aerial work, and a lot of muscles and posing! The four performers take on the role of Greek Gods such as Hercules and Dionysus and essentially show off their skills to one another in an acrobatic battle full of banter and hilarity. The costumes are epic – there are winged sandals, togas, and gladiator-style skirts all pulled tight over these heavily muscled bodies. The boys know how to lean in to the sexy stereotypes – they posture and pose with hilarious facial expressions. They know they’re hot, but they have fun with it. This is especially apparent in the Greek Statue scene which is quite revealing of their…talents.

There are signature Headfirst Acrobats moves woven into the loose storyline – the amazing ladder trick which will thrust your heart straight into your mouth, the hand balancing – a display of sheer strength, and of course chair stacking. They reach great heights, soaring over the crowd in a high octane trapeze act, and literally climbing all over each other. GODZ‘ real strength lies in the camaraderie and deep trust they have of one another. This is an ensemble with heart and a lot of love which shines through on stage. It also doesn’t hurt that they are so willing to take the piss out of themselves and that works just as brilliantly!

You can catch all the action on Mt Oympus at The Pleasure Garden until 19th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

Five With Fringe | Queen Bz | Twerk Noir: Through the Ages | FRINGEWORLD 2023

Queen Bz is one of the Co-producers of Twerk Noir: Through the Ages. She performs in the show, as well as is a local Perth businesswoman with her own twerk wear brand called Queen Bz Apparel. We caught up with her ahead of the show to find out what it’s all about.

What is your show about?

A concept of what it would look like if Twerk was socially accepted through some of the most iconic eras … featuring some of the most amazing twerkers right here in Perth.. Incorporating twerk history, culture and discovering the power of body positivity ️ It will leave you clapping out of your seats 

Favourite part of the show, no spoilers!

Amazing women showing off their booties and skills to different eras 

What do you think people will get out of your show?

They will be thoroughly entertained with some light hearted humor and more of an appreciation for twerk 

Apart from your show, what other shows would you recommend?

Sinsuality and Wildd with a double d 

Describe your show in 3 words: 

Liberating, Fun, New

You can catch all of the twerk action at Connections Nightclub until 11th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

Five With Fringe | Chris Burgess | LENNOX: Legend in my Living Room | FRINGEWORLD 2023

Chris Burgess is the total legend behind FRINGEWORLD 2023 show, LENNOX: Legend in my Living Room. We caught up with them ahead of the show to see what we’re in for.

What is your show about?

LENNOX is the theatrical baby I had during lockdown in Melbourne, when all I had to do in a day was listen to Annie Lennox on repeat and call it ‘work’! Ultimately, what I’ve tried to create is a show that platforms the poetry of Annie’s lyrics. Most of her music speaks to me of loneliness, of broken-heartedness, of healing, which are all themes that are very real for me personally and also are true of our cultural zeitgeist. I’ve really tried to take the ‘tribute’ element in ‘tribute show’ seriously, and aim to honour her artistic integrity and vulnerability by bringing my own to bear…. Basically, it’s the kind of cabaret I imagine Annie might have made if she was a male-bodied, queer Aussie born in the 90s!

Favourite part of the show, no spoilers!

When I get to play Annie’s erotic Scottish lover… say no more!

What do you think people will get out of your show?

From my experience, audiences have often been surprised by this show. It’s really quite different from any other tribute show I’ve seen, which I think is true of how people remember Annie. Unique and subversive…. Also, it’s an opportunity to support two local Perth musicians who are freakin amazing! 

Apart from your show, what other shows would you recommend?

Here are 3, amongst hundreds of shows I’ll be running around to see…

‘Run by Stephen Laughton’ is a show I’ve wanted to see for a while, and now we all get the chance! Don’t miss it.

‘Aditya Gautam: Don’t Call me a Papadum‘ looks hilarious, and clever, and wonderful, and I will see you there!

‘Dolly Diamond and Tash York: Attention Seekers’ looks absolutely divine. Two powerhouses and I can’t wait to get to this one.

Describe your show in 3 words:

Annie Lennox realness…

You can catch the living room concert at The Pleasure Garden until 19th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.

Five With Fringe | Matthew Hadgraft | Elton John: Your Song | FRINGEWORLD 2023

Matthew Hadgraft is the creative force behind the Elton John tribute show, Your Song for FRINGEWORLD 2023. We caught up with him ahead of the show to find out all about it.

What is your show about?

It’s about the early days of Elton John and the journey creating the really iconic songs from the 70s – it’s a singalong, so you can scan a QR code for the words! (Most of the words are correct)

Favourite part of the show, no spoilers!

I love doing the handstand on the piano stool during Saturday Night’s Alright

What do you think people will get out of your show?

If they loved Elton John already, they’ll love celebrating this music – if they weren’t particularly about Elton John before they came in, they’ll enjoy the songs being given new life. It’s great fun to sing to these songs. You’ll absolutely know them.

Apart from your show, what other shows would you recommend?

Anna Piper Scott: Such an Inspiration – really smart and funny trans comedian!

Otto & Astrid Play The Greatest Rock ‘n’ Roll Concert You’ve Ever Seen! – This is one of my favourite live band comedy acts. They’re so much fun.

Jacques Barrett – The Special – intelligent and hilarious comedian I went to school with. He probably doesn’t remember me.

Describe your show in 3 words:

Fun, camp, iconic

You can bop to the Crocodile Rock at Liberty Fringe until 12th February 2023. TICKETS

Keep up with The Fourth Wall on Facebook and @fourth_wall_media on Instagram to see what we’re up to this FRINGEWORD 2023.

The Fourth Wall acknowledges the traditional custodians of the land we engage in storytelling on – the Wadjhuk people of the Noongar nation. We pay respects to their elders past, present, and emerging.